TRANSCEND

SPRING TRAINEE CONCERT

In a season focused on Becoming, The Big Muddy Dance Company Trainees present Transcend. This concert will feature three world premiere performances choreographed by Maggi Dueker, Kirven Douthit-Boyd, and Brandon Fink as well as the return of “The Song of Sibyl” by Yuka Oba-Muschiana. The Big Muddy Dance Company is also proud to announce our first artistic collaboration with Artists First. Join us for an evening of storytelling shared through the power of dance and visual art!

Saturday, May 11, 2024 at 7:00pm

At The Grandel Theatre
3610 Grandel Square St. Louis, MO 63108

*denotes second-year trainee

Director of Education: Brandon Fink

Executive Director: Erin Prange

Artistic Director: Kirven Douthit-Boyd

Lighting Design: Danny MacLaughlin

Technical Support: Alice Anders

Director of Operations: Molly Rapp

Studio Manager: Megan Rancour 

Marketing Coordinator: Kyla Kikkawa

Photographer: Kelly Pratt

STAFF

CHOREOGRAPHERS

  • Jacque Hartman

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  • Yuka Oba-Muschiana

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  • Juliette Hubert

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  • Maggi Dueker

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  • Jolene Fisher

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  • Kirven Douthit-Boyd

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  • Brandon Fink

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THE EVENING’S PROGRAM

ET TU?

After seeing his close friend Brutus among his assassins and realizing the deep betrayal Julius Caesar utters his last words “Et Tu Bruté?” meaning You too Brutus?

Choreography: Jacque Hartman
Music: “Halo” by Michael Vignola, “The End” by Bobby Keli, “Murder Without Violence” Park min Joo
Costumes: Nathali Rottier Kessler
Featuring dancers from The Big Muddy’s Spring 2024 Elevate Student Project: Addison Arpasi, Lily Goldman, Elizabeth Kamara, Matt Loiterstein, Meaghan Pamatot, Johnna Opheim, Zhon’nay Webb

THE SONG OF THE SIBYL

Choreography: Yuka Oba-Muschiana
Music: “Wilderness” and “The Song of Sibyl” by Dead Can Dance, “Foni Tu Argile” by A Hawk and a Hacksaw, “Moliendo Café” by Fanfare Ciocarlia
Costumes: Nathali Rottier Kessler
Dancers: *Eibhlin Arvizu, Madalyn Bailey, Sidney Cowles, *Jennifer Egley, Jolene Fisher, Juliette Hubert, Abigail Kresno, Jaiden Kruse, Amber Newsom, *Sadie Reimer, Raechel Roberson, Isaiah Valentin, *Alyssa Watson

THE DEPARTURE

Choreography: Juliette Hubert
Music:  “The Departure” by Max Richter, “7 Celli and Piano Arrangement” by Music at Home Pro and French quote by Jean d’Ormesson
Costumes: Juliette Hubert
Dancers: Juliette Hubert

Je n’ai jamais cessé d’être heureux
I never stopped being happy

Vous savez il y a une phrase que j’ai souvent répété
You know, there is a phrase that I have often repeated

Merci pour les roses, Merci pour les épines
Thank you for the roses, Thank you for the thorns

La vie n’est pas une fête perpétuelle
Life is not a perpetual celebration

C’est une vallée de larmes mais c’est aussi une vallée de roses
It is a valley of tears but it is also a valley of roses

Et si vous parlez des larmes il faut pas oublier les roses
And if you talk about the tears you must not forget the roses

Et si vous parlez des roses il faut pas oublier les larmes
And if you talk about the roses you must not forget the tears

UNDERCURRENT

Choreography: Maggi Dueker, in collaboration with the dancers
Music: “No” by Nicolas Jaar, “Remember in Reverse” by Simian Mobile Disco, “Fight” by Nicolas Jaar
Costumes: Nathali Rottier Kessler
Dancers: *Eibhlin Arvizu, Madalyn Bailey, Sidney Cowles, *Jennifer Egley, Jolene Fisher, Juliette Hubert, Abigail Kresno, Jaiden Kruse, Sammy Lawson, Amber Newsom, Pierce Pennington, *Sadie Reimer, Raechel Roberson, Isaiah Valentin, *Alyssa Watson

- 10 MINUTE INTERMISSION -

RESONATE

Choreography: Kirven Douthit-Boyd
Title: “Resonate”
Music: “The Teacher” and “The Wrathful Deities” by Xumantra
Costumes: Nathali Rottier Kessler
Dancers: *Eibhlin Arvizu, Madalyn Bailey, Sidney Cowles, *Jennifer Egley, Jolene Fisher, Juliette Hubert, Abigail Kresno, Jaiden Kruse, Sammy Lawson, Amber Newsom, Pierce Pennington, *Sadie Reimer, Raechel Roberson, Isaiah Valentin, *Alyssa Watson

PLAY

Choreography: Jolene Fisher
Title: “Resonate”
Music: "Aquarium" by Nosaj Thing, "First Conversation" by dné, "image no. 4" by Savoir Adore, Image Tapes
Costumes: Nathali Rottier Kessler
Dancers: Sidney Cowles, Juliette Hubert, Abigail Kresno, Amber Newsom, Raechel Roberson, Isaiah Valentin

Sometimes we can grow up too fast. We are so focused on “becoming adults” and shedding our childhood that we lose our ability to play. This piece is about caring for others, the beauty of relationships, and reconnecting to our imagination so we can learn how to play like a child again.

THE SIX BREATHS

Choreography: Brandon Fink
Music: “Stars” by VOCES8, Six Breaths: “Before Four”, “III Breath, Crying Breath”, “Before Six”, “VI: Breath, The Last Breath” by Ezio Bosso & The London Cellos Ensemble
Costumes: Nathali Rottier Kessler
Set Design: Created in collaboration with artists from Artists First including Julie Hart, Nakia Jones, Melelani Perry, Matt Wibbenmeyer, and Nathan Witt
Dancers: *Eibhlin Arvizu, Madalyn Bailey, Sidney Cowles, *Jennifer Egley, Jolene Fisher, Juliette Hubert, Abigail Kresno, Jaiden Kruse, Sammy Lawson, Amber Newsom, Pierce Pennington, *Sadie Reimer, Raechel Roberson, Isaiah Valentin, *Alyssa Watson

*denotes second year trainee

Artists First, located in Maplewood, MO, is an inclusive non-profit art studio empowering artists of all abilities. Artists First uses creative self-expression to build equity, equality, and empowerment in the Saint Louis region and beyond. Artists First provides meaningful arts experiences to over 350 individuals through trauma and culturally responsive art based programs. With over 10 years of proven success, Artists First has a Platinum Seal of Transparency (Guidestar); Inclusion Award winner by the Governor’s Council on Disability; and the 2023 Missouri Arts Award Arts Organization honoree by the Lieutenant Governor’s Office and Missouri Arts Council. 5 artists that regularly attend Artists First's Adult Open Studio program, have collaborated to create 6 panels of artwork for the work, 'The 6 Breaths' while learning the connection of physical movement to fine arts. The 6 panels are muslin fabric, painted with different kinds of ink to mimic the feeling of each breath. The textures, although are created specifically to each breath, come together to create a sense of unity and cohesion.